West Wittering Beach

West Wittering Beach is a beautifully sandy beach located at the entrance to Chichester Harbour. On a unexpectedly sunny Sunday last week, we loaded up the car with and assortment of kids, dogs, and sandwiches and headed on out.

Yashica Mat 124G / Kodak Tri-X / Stand developed in Kodak HC-110 1+160 for 45 minutes

West Wittering Beach

I generally use just two films in medium format these days; Ilford FP4 and Kodak Tri-X. And this being Feb, my Yashica Mat was already loaded with Tri-X. I typically stand develop both those films in Rodinal with good results. However, blue skies on Tri-X with Rodinal was likely to show a little too much grain for my tastes. I therefore decided to use stand development with HC-100 instead.

West Wittering Beach

West Wittering Beach

This roll was developed for 45 minutes in a dilution of 1+160. I used 5ml of HC-110 in 800 ml of water, and developed for 45 minutes with one very gentle inversion at the halfway mark. I’ve often head it said that stand development is temperature agnostic, but for the sake of consistency I stick to 20C.

West Wittering Beach

These frames don’t quite have the lemon-juice-in-the-eye sharpness of Rodinal, but the grain in those skies is less pronounced.

West Wittering Beach

Daisy’s nearly 16 now. Her legs don’t really work like they used to and everything’s a bit harder than it once was. I know how that feels. But I’ve never seen her happier than when she’s on the beach.

West Wittering Beach

There’s some great dunes at West Wittering Beach. I’m always reminded of 1968’s ghost story Whistle & I’ll Come To You, although that was filmed on the Norfolk Coast. If that means anything to you, you may find this interesting.

West Wittering Beach

That Was The Month That Was: August 2018

Yep, it’s August’s random selection of snapshots

Spending the afternoon at the Beach in West Wittering, it seemed fitting to take that archetypal holiday camera, the Olympus Trip 35. Millions were sold during its lengthy production run from 1967-1984, during which time there were hardly any changes made to the original genius design. No batteries required; a solar-powered selenium light meter measures the light, and even though selenium photocells don’t go on forever, mine still meters perfectly. If you’re of a certain age, you’ll remember those classic commercials in the 70s with fashion photographer David Bailey.

Camera: Olympus Trip 35
Film: Fomapan 100

Coco The Cocker loves the sea

She may be 15, but Daisy still gets excited about going for a walk. The square format and the belly level perspective probably give away that this was taken with a twin lens reflex camera, in this case a Yashica Mat.
If you’re shooting a meter-less camera and using sunny 16 to calculate exposure, then these sunny cloudless days are the easiest. You can set and forget. I’ve it said that in the UK full sun is never that bright and we should actually use sunny 11, but 16 always works out perfectly for me. Perhaps it’s different if you’re further north.

Camera: Yashica Mat 124G
Film: Ilford FP4

When I step outside my home first thing on a sunny morning, this is one of the first things I see

Camera: Pentax KM
Film: Kodak Tmax 100

And this is the view coming back after my morning coffee

Amongst the dunes on West Wittering Beach.

Whenever I see dunes, I think of the BBC’s 1968 adaption of MR James’ Whistle And I’ll Come To you. If you’re a fan of MR James, then I heartily recommend the Mark Gatiss documentary MR James: Ghost Writer.

This is not a great photo of The Copper House, mainly because it gives no sense of scale or location. Next time I’ll do better. It’s a statue of George III mounted on a plinth in 1831, atop of Snow Hill in Windsor Great Park. When I’m cycling round the park, this is my favourite pace to stop and have my sandwiches. On a clear day you can see the control tower at Heathrow and the arches of Wembley Arena.

My current home of Chertsey is one of the oldest market towns in England. Of particular historical note is Chertsey Abbey. Founded in the ungodly year of 666, it was sacked by the Vikings in 875, who burnt it down and killed all the monks. Bastards. It was later rebuilt in stone, although all that remains is a pile of several dozen bricks, and I’m not totally convinced of their provenance. Its former presence is evidenced more strongly in many local names however, for example Abbey River, Abbey Fields, and Monk’s Walk.

Monk’s walk is an enclosed footpath that apparently once started from the Abbey, but now begins several hundred yards further along in Ferry Lane. It runs for about a mile and a half and you emerge quite suddenly next to St Mary’s Church in Thorpe. The exact date when the Church was built is unknown, although in 1963 a Roman cinerary urn was dug up in the churchyard and subsequently dated to around 150 A.D., indicating that the site itself has been of religious significance for going on 1900 years. It seems likely that the church itself was built in the 12th century, and perhaps Monk’s Walk was indeed a secret route between the Church and the Abbey.

When I cycle along there now the first thing you notice, at least in the summer, are the screams. It runs along the back of what is now Thorpe Park, and through the wire fence you get occasional views of some of the rides. Despite the presence of CCTV and razor wire-topped fences, I think there’s still a few opportunities to sneak into the park, if you’re so inclined.

For fast 35mm film I tend to flit between Tri-X and Tmax 400. Tri-X is a classic, but Tmax has very fine grain for a 400 speed film. I’ve seen ISO 100 films that are far grainier than this.

Camera: Nikon F90X
Film: Kodak Tmax 400

We went to pick our own at Durleigh Marsh Farm. I specifically voted to remain in the EU so we could continue to exploit East Europeans and I wouldn’t end up having to pick my own damn vegetables </sarcasm>

Square Up To Racism

These days:

My eyes aren’t good enough to set the controls without glasses, my brain isn’t sharp enough to promptly work out the exposure, and my fingers aren’t nimble enough to focus on a moving target.

But I don’t take the Mat out often enough and I’m very fond of the square format.

So if everyone could just hold it right there for a few more moments please…….and……..got it. Thanks.

Stand Up To Racism, March & Rally, London, 18 March 2017
Yashica Mat 124G / Kodak Tri-X / Developed in Rodinal 1+99 for 60 minutes B

A Day at the Races

Four things I’m not that fond of:

  • Horse Racing
  • Gambling
  • Tribute bands
  • Taking photos once I’ve had a couple of drinks

So joining my work friends for a night out at the races that ended with a guy who thought he was Freddie Mercury may not have been one of my best plans. Should have thought that one through, really.

Windsor Races
35mm: Nikon F90X / Nikkor 35mmf/2.0 / Kodak Tmax 400 / D76 1+1
6×6: Yashica Mat 124G / Ilford FP4 & Kodak Tri-X / Rodinal 1+99 60 minutes