On Saturday, supporters of The People’s Vote joined the Put It To The People March in Central London. Over one million people (and their dogs) joined what was arguably the largest demonstration in British history. The vast majority were not the usual political activists. Many of them had never been on a march before. They were just good-natured everyday people, concerned about the future of our country as it faces the biggest crisis any of us has known.
There’s a lot of things you can fake in 2019. Photographs, obviously. We hear a lot about fake news. Some people claim you can fake an online petition. But what you can’t fake is a crowd of one million people.
All photos Nikon F90X with Nikkor 35mm f/2 AF-D lens / Kodak Tri-X / Developed in D76 1+1
I’ve read all the literary outpourings of an adolescent serial bankrupt and money launderer who played a successful businessman on a reality TV show. And now I’ve read the book by a world-renowned investigative journalist who was played by Hollywood legend Robert Redford in a blockbuster movie. I’m nothing if not balanced.
My life: now with added chickens. Four of them in fact. This one’s called Bluebell, and you can look forward to plenty of chicken related content in coming months. Not to mention some clucking awful poultry themed puns. You lucky people.
Nikon F90X / Kodak Tmax 400 / Developed in D76 1+1
Spending the afternoon at the Beach in West Wittering, it seemed fitting to take that archetypal holiday camera, the Olympus Trip 35. Millions were sold during its lengthy production run from 1967-1984, during which time there were hardly any changes made to the original genius design. No batteries required; a solar-powered selenium light meter measures the light, and even though selenium photocells don’t go on forever, mine still meters perfectly. If you’re of a certain age, you’ll remember those classic commercials in the 70s with fashion photographer David Bailey.
Camera: Olympus Trip 35 Film: Fomapan 100
Coco The Cocker loves the sea
She may be 15, but Daisy still gets excited about going for a walk. The square format and the belly level perspective probably give away that this was taken with a twin lens reflex camera, in this case a Yashica Mat. If you’re shooting a meter-less camera and using sunny 16 to calculate exposure, then these sunny cloudless days are the easiest. You can set and forget. I’ve it said that in the UK full sun is never that bright and we should actually use sunny 11, but 16 always works out perfectly for me. Perhaps it’s different if you’re further north.
Camera: Yashica Mat 124G Film: Ilford FP4
When I step outside my home first thing on a sunny morning, this is one of the first things I see
Camera: Pentax KM Film: Kodak Tmax 100
And this is the view coming back after my morning coffee
This is not a great photo of The Copper House, mainly because it gives no sense of scale or location. Next time I’ll do better. It’s a statue of George III mounted on a plinth in 1831, atop of Snow Hill in Windsor Great Park. When I’m cycling round the park, this is my favourite pace to stop and have my sandwiches. On a clear day you can see the control tower at Heathrow and the arches of Wembley Arena.
My current home of Chertsey is one of the oldest market towns in England. Of particular historical note is Chertsey Abbey. Founded in the ungodly year of 666, it was sacked by the Vikings in 875, who burnt it down and killed all the monks. Bastards. It was later rebuilt in stone, although all that remains is a pile of several dozen bricks, and I’m not totally convinced of their provenance. Its former presence is evidenced more strongly in many local names however, for example Abbey River, Abbey Fields, and Monk’s Walk.
Monk’s walk is an enclosed footpath that apparently once started from the Abbey, but now begins several hundred yards further along in Ferry Lane. It runs for about a mile and a half and you emerge quite suddenly next to St Mary’s Church in Thorpe. The exact date when the Church was built is unknown, although in 1963 a Roman cinerary urn was dug up in the churchyard and subsequently dated to around 150 A.D., indicating that the site itself has been of religious significance for going on 1900 years. It seems likely that the church itself was built in the 12th century, and perhaps Monk’s Walk was indeed a secret route between the Church and the Abbey.
When I cycle along there now the first thing you notice, at least in the summer, are the screams. It runs along the back of what is now Thorpe Park, and through the wire fence you get occasional views of some of the rides. Despite the presence of CCTV and razor wire-topped fences, I think there’s still a few opportunities to sneak into the park, if you’re so inclined.
For fast 35mm film I tend to flit between Tri-X and Tmax 400. Tri-X is a classic, but Tmax has very fine grain for a 400 speed film. I’ve seen ISO 100 films that are far grainier than this.
Camera: Nikon F90X Film: Kodak Tmax 400
We went to pick our own at Durleigh Marsh Farm. I specifically voted to remain in the EU so we could continue to exploit East Europeans and I wouldn’t end up having to pick my own damn vegetables </sarcasm>
After having the film for more than a year, I’ve eventually got round to shooting some Film Ferrania P30 Alpha. This is a reincarnation of Ferrania’s legendary 80 iso motion picture film. Developing info is a bit thin on the ground but I finally decided to go with D76 (stock) at 9 mins, 3 gentle agitations per minute. That seems to have worked out well. I don’t shoot a great deal of medium speed 35mm film, but I’m really pleased with this. Contrast is…..erm…..contrasty. Grain is virtually non-existent. Ferrania says the next batches will be up in the shop in the Autumn, after which it should become permanently available. I hope the day will come when it’s available in medium format.
Nikon FE & Nikon F90X / Film Ferrania P30 Alpha / Developed in Kodak D76 Stock for 9 Mins Brompton and Brookwood Cemeteries