The risk of catastrophic and irreversible disaster is rising, implying potentially infinite costs of unmitigated climate change, including, in the extreme, human extinction.
In the run-up to the 2016 Brexit referendum, politician Michael Gove attempted to dismiss the negative economic forecasts. “People in this country have had enough of experts”, he famously said. These days, everybody considers themselves to be an expert. Whether it’s Brexit, Climate Change, or championship whist, the internet has allowed the democratisation of truth. Each of us is now entitled to our own version of the facts.
In my wayward youth when I was still smoking cigarettes, it was the evidence of Doctors rather than tobacco giants that convinced me to quit.
When CFCs were suspected of causing the hole in the ozone layer, I believed the scientists rather than the deodorant manufacturers.
I’m not an expert. I’m neither a scientist nor an academic. All I can do is put my trust in those that I find the most credible. Consequently, I’m going with the overwhelming majority of scientists who believe that immediate action on climate change is needed to avert serious consequences. This is in spite of what some bloke on Twitter says.
I broadly support the aims and methods of Extinction Rebellion. I support ‘using non-violent direct action to persuade governments to act justly on the Climate and Ecological Emergency’. And however unpopular they are in some quarters, I believe it’s having an impact.
And yes, they’ve caused a lot of inconvenience for many people. But in the future, if your grandchildren ask you why you’ve handed them such a mess, I don’t want you to have to tell them it was too inconvenient to do otherwise.
N.B. There’s a lot of photos here, but I spent two days with them and shot three rolls of film. Extinction Rebellion, Trafalgar Square, London / Nikon F90X & Nikon F100 / Kodak Tmax 400 / Developed in D76 +1
Spending the afternoon at the Beach in West Wittering, it seemed fitting to take that archetypal holiday camera, the Olympus Trip 35. Millions were sold during its lengthy production run from 1967-1984, during which time there were hardly any changes made to the original genius design. No batteries required; a solar-powered selenium light meter measures the light, and even though selenium photocells don’t go on forever, mine still meters perfectly. If you’re of a certain age, you’ll remember those classic commercials in the 70s with fashion photographer David Bailey.
Camera: Olympus Trip 35 Film: Fomapan 100
Coco The Cocker loves the sea
She may be 15, but Daisy still gets excited about going for a walk. The square format and the belly level perspective probably give away that this was taken with a twin lens reflex camera, in this case a Yashica Mat. If you’re shooting a meter-less camera and using sunny 16 to calculate exposure, then these sunny cloudless days are the easiest. You can set and forget. I’ve it said that in the UK full sun is never that bright and we should actually use sunny 11, but 16 always works out perfectly for me. Perhaps it’s different if you’re further north.
Camera: Yashica Mat 124G Film: Ilford FP4
When I step outside my home first thing on a sunny morning, this is one of the first things I see
Camera: Pentax KM Film: Kodak Tmax 100
And this is the view coming back after my morning coffee
This is not a great photo of The Copper House, mainly because it gives no sense of scale or location. Next time I’ll do better. It’s a statue of George III mounted on a plinth in 1831, atop of Snow Hill in Windsor Great Park. When I’m cycling round the park, this is my favourite pace to stop and have my sandwiches. On a clear day you can see the control tower at Heathrow and the arches of Wembley Arena.
My current home of Chertsey is one of the oldest market towns in England. Of particular historical note is Chertsey Abbey. Founded in the ungodly year of 666, it was sacked by the Vikings in 875, who burnt it down and killed all the monks. Bastards. It was later rebuilt in stone, although all that remains is a pile of several dozen bricks, and I’m not totally convinced of their provenance. Its former presence is evidenced more strongly in many local names however, for example Abbey River, Abbey Fields, and Monk’s Walk.
Monk’s walk is an enclosed footpath that apparently once started from the Abbey, but now begins several hundred yards further along in Ferry Lane. It runs for about a mile and a half and you emerge quite suddenly next to St Mary’s Church in Thorpe. The exact date when the Church was built is unknown, although in 1963 a Roman cinerary urn was dug up in the churchyard and subsequently dated to around 150 A.D., indicating that the site itself has been of religious significance for going on 1900 years. It seems likely that the church itself was built in the 12th century, and perhaps Monk’s Walk was indeed a secret route between the Church and the Abbey.
When I cycle along there now the first thing you notice, at least in the summer, are the screams. It runs along the back of what is now Thorpe Park, and through the wire fence you get occasional views of some of the rides. Despite the presence of CCTV and razor wire-topped fences, I think there’s still a few opportunities to sneak into the park, if you’re so inclined.
For fast 35mm film I tend to flit between Tri-X and Tmax 400. Tri-X is a classic, but Tmax has very fine grain for a 400 speed film. I’ve seen ISO 100 films that are far grainier than this.
Camera: Nikon F90X Film: Kodak Tmax 400
We went to pick our own at Durleigh Marsh Farm. I specifically voted to remain in the EU so we could continue to exploit East Europeans and I wouldn’t end up having to pick my own damn vegetables </sarcasm>
These photos were taken on a pro-European march a few weeks back. I should probably write a bit more about it, but since legislation was introduced in the late 1990s to make civil discussion about politics on the internet illegal, I’ve found it’s best just to keep quiet.
London, Sep 09 2017 Nikon F90X / Kodak Tmax 400 / Developed in D76 1+1