These photos might give the impression that Bertie’s a sleepy, placid puppy.
What they actually demonstrate is that it’s only worth trying to get a decent picture when he’s sleepy. True to the working cocker spaniel breed, Bertie’s energy levels are off the scale. The good news is that now he’s had all his vaccinations, he can burn some of that energy off outside in the fields.
Nikon F100 / Ilford HP5 / Developed with Bellini Foto Eco Film Developer (Liquid Xtol)
Don’t worry Coco – you’re still top dog
Thoughts On Ilford HP5
I’ve probably shot most of the popular black & white films over my four decades of shooting film. In more recent years I’ve tried to whittle my choices down to a handful of films that give me consistent, predictable results. The downside of this is that I can’t always remember why I might have previously discarded certain film stocks. And so it is with Ilford HP5. Seeing Jim’s recent appraisal, I thought it was time to give it another go and refresh my memory.
You can only draw limited conclusions from one roll shot under one set of conditions. Grain is more controlled than Tri-X, with a flatter, less-contrasty look. That said, the highlights were blown on quite a few of the frames. I suspect this was down to over-development rather than poor metering. I’ve just started using Bellini Film EcoFilm Developer. It’s supposed to mimic XTOL and use the same times, but I had a similar issue with a roll of Tmax 100. I have one more roll of HP5 to shoot, and I’ll probably decrease the developing time by ten per cent. Let’s see how that goes.
Q: Are there advantages when your girlfriend goes on holiday without you? A: Duh Yeah! You get to look after the puppy for a whole week
And much of that week was spent chasing him round the garden with a Polaroid, trying to get him to stay still.
Bertie the working cocker spaniel puppy at 11 weeks old / Polaroid SX-70 Sonar / Polaroid Originals Color SX-70 Film
The Impossible Project – now called Polaroid Originals – has had remarkable success since its inception in 2008. When Polaroid announced they would stop making film, the IP founders had a Victor Kiam-esque moment and bought the company. Well, some of the machinery at least.
And as much as I’ve admired them over the years, I’ve avoided resurrecting my own Polaroid SX-70. The early formulations of the film were quite flakey, and the price continues to be expensive; roundabout £17 ($21) for 8 shots. (NB I can’t quite believe 17 quid currently only buys 21 bucks).
I’m sure I’ll have more to say when I’ve shot all eight frames. That could be a little while yet though because, at over two quid a pop, I’m a little bit selective about when I press that shutter button.