Winter Walking On Pound Common

When it comes to walking, if I had to make a choice between an overcast summer’s day and a bright but chilly winter’s day, I’d chose light over warmth every time. As for the dogs, I don’t think they really care.

This was a five or six-mile walk that took us across Pound Common and other parts of the South Downs. I took my Nikon F100 with me. It’s pretty much become my standard 35mm camera these days. That’s partly because of the Nikkor 35mm AF-D lens I use. It’s super-sharp and contrasty and has a close focus under ten inches. And 35mm is a great all-round focal length. A little bit wider than standard to get a bit more stuff in, but not so wide that it makes shots of people look like they’re being sucked into the vortex.

I’m in search of the perfect 35mm 100 ISO film at the moment. Tmax 100 has been my go-to slow film for many years, but I thought I’d remind myself what some of the others can do. Ilford FP4 is certainly not as fine-grained as Tmax, but it’s no slouch either. I’ve also gone back to using HC-110 as a developer as there’s still half a bottle under the sink that I’ve had for ages. I’ve been mainly using it for the occasional stand developing of medium format film, but it’s a good all-rounder. It also seems to have an incredible shelf-life; I’ve had this bottle opened for at least six or seven years. I decanted it into glass wine bottle and I use a Vacu Vin to extract the air. The perfect gift for the film photographer and boozer in your life.

As all Sunday walks should, this one ended up in the pub. Unfortunately, I’m doing Dry January at the moment, and although this isn’t as bad as I thought it might be, I’m definitely looking forward to Off Your Face February.

West Sussex including Pound Common / Nikon F100 / Ilford FP4 / Developed in Kodak HC-110 1+31

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

F100 Ilford FP4

F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

Pound Common Nikon F100 Ilford FP4

F100 Ilford FP4

Bertie News | Episode 07: 7 Months Old – Ilford HP5 Edition

OK, so it probably looks like Bertie and Coco spend most of their time loafing about. But the truth is, this is the best chance I’ve got of a getting something in focus. I’ve got a stack of photos that consist of little more than a blurred tail leaving the scene.

I’ve been shooting a few rolls of HP5 lately, after years of mainly using Kodak 400 speed films. The contrast is a bit more subdued, and as such I had some good results on New Year’s Eve pushing it a couple of stops.

These ones didn’t come out too bad either. I think Bertie was rather pleased with his tonality, but Coco just rolled over on her back and wanted her tummy tickled. I sometimes feel she’s not taking it seriously.

Bertie (with added Coco) the working cocker spaniel puppy at 7 months / Nikon F100 / Ilford HP5 / Developed in HC-110 1+31

working cocker spaniel puppy 7 months

working cocker spaniel puppy 7 months

working cocker spaniel puppy 7 months

“Don’t let the puppy on the bed Gerald….”

working cocker spaniel puppy 7 months

working cocker spaniel puppy 7 months

Check out all episodes of Bertie News here

New Year’s Eve 2019 & Push Processing HP5

The last time I push processed a roll of film was about ten years ago. A friend asked me to take some pictures at his 50th birthday party. Things didn’t work out so well and I only ended up with a couple of frames I was happy with. We don’t talk about it now.

But time heals, and I reckoned it was time to give it another go. I’ve recently started to reacquaint myself with Ilford HP5. It’s less contrasty than my usual Tri-X and Tmax 400, so I thought it’d be a good candidate for pushing.

I decided to go for two stop push and shot at EI 1600. Microphen is a great developer for pushing, and I coupled that with a carefully restrained agitation routine in order to control the grain and contrast. Thirty seconds agitation initially, and then one gentle inversion every thirty seconds. For the final third of development, I reduced the inversions to one a minute. This is a well-known technique to reduce the grain, and it seems to have worked well, with a really pleasing level of grain and tonality. Inevitably, some of the blacks are a bit crushed and lacking detail, but I don’t think it matters for these type of shots. They’re not fine art landscapes and I’m not Ansel Adams.

Anyway, this was my New Year’s Eve: friends, kids, dogs, beer and games. I’d like to have plenty more of all those things in 2020, with the possible exception of beer. Although I say that every year.

Nikon F100 / Ilford HP5 shot @ 1600 / Push Processing HP5, Developed in Microphen stock for 11 minutes

Push Processing HP5

Push Processing HP5

HP5 Pushed 1600

Push Processing HP5

HP5 Pushed 1600

Push Processing HP5

HP5 Pushed 1600

Push Processing HP5

HP5 Pushed 1600

Push Processing HP5

HP5 Pushed 1600

Push Processing HP5

Push Processing HP5

Extinction Rebellion Trafalgar Square, London

The International Monetary Fund is not known for being a hotbed of radical eco-warriors.

Nevertheless, in September 2019 they said the following:

The risk of catastrophic and irreversible disaster is rising, implying potentially infinite costs of unmitigated climate change, including, in the extreme, human extinction.

In the run-up to the 2016 Brexit referendum, politician Michael Gove attempted to dismiss the negative economic forecasts. “People in this country have had enough of experts”, he famously said. These days, everybody considers themselves to be an expert. Whether it’s Brexit, Climate Change, or championship whist, the internet has allowed the democratisation of truth. Each of us is now entitled to our own version of the facts.

In my wayward youth when I was still smoking cigarettes, it was the evidence of Doctors rather than tobacco giants that convinced me to quit.

When CFCs were suspected of causing the hole in the ozone layer, I believed the scientists rather than the deodorant manufacturers.

I’m not an expert. I’m neither a scientist nor an academic. All I can do is put my trust in those that I find the most credible. Consequently, I’m going with the overwhelming majority of scientists who believe that immediate action on climate change is needed to avert serious consequences. This is in spite of what some bloke on Twitter says.

I broadly support the aims and methods of Extinction Rebellion. I support ‘using non-violent direct action to persuade governments to act justly on the Climate and Ecological Emergency’. And however unpopular they are in some quarters, I believe it’s having an impact.

And yes, they’ve caused a lot of inconvenience for many people. But in the future, if your grandchildren ask you why you’ve handed them such a mess, I don’t want you to have to tell them it was too inconvenient to do otherwise.

N.B. There’s a lot of photos here, but I spent two days with them and shot three rolls of film.
Extinction Rebellion, Trafalgar Square, London / Nikon F90X & Nikon F100 / Kodak Tmax 400 / Developed in D76 +1

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Extinction Rebellion Trafalgar Square Nikon F100 Kodak Tmax 400

Nikon F100 Kodak Tmax 400

Bertie News | Episode 03: 12-14 Weeks Old

These photos might give the impression that Bertie’s a sleepy, placid puppy.

What they actually demonstrate is that it’s only worth trying to get a decent picture when he’s sleepy. True to the working cocker spaniel breed, Bertie’s energy levels are off the scale. The good news is that now he’s had all his vaccinations, he can burn some of that energy off outside in the fields.

Nikon F100 / Ilford HP5 / Developed with Bellini Foto EcoFilm (Liquid Xtol)

Bertie the working Cocker Spaniel Puppy

Bertie the working Cocker Spaniel Puppy

Bertie the working Cocker Spaniel Puppy

Bertie the working Cocker Spaniel Puppy

Don’t worry Coco – you’re still top dog

Coco the working Cocker Spaniel

Thoughts On Ilford HP5

I’ve probably shot most of the popular black & white films over my four decades of shooting film. In more recent years I’ve tried to whittle my choices down to a handful of films that give me consistent, predictable results. The downside of this is that I can’t always remember why I might have previously discarded certain film stocks. And so it is with Ilford HP5. Seeing Jim’s recent appraisal, I thought it was time to give it another go and refresh my memory.

You can only draw limited conclusions from one roll shot under one set of conditions. Grain is more controlled than Tri-X, with a flatter, less-contrasty look. That said, the highlights were blown on quite a few of the frames. I suspect this was down to over-development rather than poor metering. I’ve just started using Bellini Film EcoFilm Developer. It’s supposed to mimic XTOL and use the same times, but I had a similar issue with a roll of Tmax 100. I have one more roll of HP5 to shoot, and I’ll probably decrease the developing time by ten per cent. Let’s see how that goes.

Check out all episodes of Bertie News here