Kensal Green Cemetery

Yes it’s another cemetery, and not only that, another one of London’s Magnificent Seven.

I’ve visited and written about Kensal Green Cemetery previously, about how its atmospheric, gothic nature made it an ideal filming location for a key scene in Vincent Price’s 1973 schlock-horror movie Theatre Of Blood. It’s the stirring of those childhood memories of Friday and Saturday nights, wrapped up in bed in the dark and watching camp horror films on a black and white portable, that makes Kensal Green my favourite of London’s grand old cemeteries.

Camera: Pentax KM
Film: Kodak Tmax 100
Process: Kodak D76 1+1

Kensal Green is the oldest of London’s Magnificent Seven cemeteries, established in 1832. Up until then, most of London’s dead had been buried in small parish churchyards, but overcrowding lead to contamination of the water supply and subsequent health epidemics. Of course, when I say ‘contamination’ I’m euphemistically referring to bits of dead bodies. Yep, there’s something in the water….

As mentioned in the last post, I don’t shoot a lot of medium speed 35mm film. And whereas I’d normally shoot something like this on medium format, my experience with Ferrania P30 prompted me to rummage round in the fridge and see what was there; a couple of rolls of Kodak Tmax 100, as it turned out.

To my shame I realised it’s been quite a while since I used my Pentax KM. I’d almost forgotten what a joy this all-mechanical, all-manual 1970s SLR is. When I do eventually get round to rationalising the number of cameras I have, this will definitely be one of the five or six I keep for regular use.

I’m not normally keen on using more than one lens; I like to keep things simple and a choice of lens is just another distracting decision that needs to be made. But as well as the wonderful 50mm SMC Pentax-M F/1.7, I took along the 28mm Pentax-M F/3.5 I picked for a few quid a couple of years back to see how that’d perform. Not great, as it happens. Even stopped down it doesn’t seem particularly sharp, and it also overexposed by up to a stop. It’ll have to go.