After having the film for more than a year, I’ve eventually got round to shooting some of the alpha version of Film Ferrania’s P30 80 iso reincarnated motion picture film. Developing info is a bit thin on the ground but I finally decided to go with D76 (stock) at 9 mins, 3 gentle agitations per minute. That seems to have worked out well. I don’t shoot a great deal of medium speed 35mm film, but I’m really pleased with this. Contrast is…..erm…..contrasty. Grain is virtually non-existent. Ferrania says the next batches will be up in the shop in the Autumn, after which it should become permanently available. I hope the day will come when it’s available in medium format.
Nikon FE & Nikon F90X / Film Ferrania P30 Alpha / Developed in Kodak D76 Stock for 9 Mins
Brompton and Brookwood Cemeteries
New girlfriend, work, travel, jazz gigs, breaking up with girlfriend, gym, travel, new girlfriend, politics, work, boxing, breaking up with girlfriend. These are just some of the trivialities over the last 12 months that have cut in to my available time for doing the more important things in life. Like wandering round old cemeteries.
Mamiya 645 Pro TL / Ilford Delta 100 / Developed in D76 1+1
At 500 acres, Brookwood was the largest cemetery in the world when it opened in 1854, and it’s still the UK’s largest today. I’m really lucky in that it’s just a short drive from me, but best of all is that its occupants give me just the right level of social interaction I’m looking for at the moment.
If I lived on the equator then I’d see the sun 90° overhead at noon. But in the UK, even at the height of summer it only reaches around 60°, and in winter doesn’t even make 20°. The cemetery’s filled with hundreds of very tall trees that the sun doesn’t have a hope of peaking over at this time of year. It’s a challenge to find areas where the sun can break through. But where it does, you get those long raking shadows I’m rather fond of.
Smack bang in the centre of the cemetery lies the Saint Edward Shrine Church. This and the buildings beyond belong to the Saint Edward Brotherhood, a small Orthodox Christian monastery that was formed in 1982 to care for the Church in which the sacred relics of Saint Edward the Martyr are enshrined. Edward was the eldest son of King Edgar the Peaceful, but was not his father’s acknowledged heir. On Edgar’s death in the year 975 the leadership of England was contested, with some supporting Edward’s claim to be king and others supporting his younger nephew Harry. Edward was eventually chosen as king, after which Harry went on to marry an American television actress, Lady Megan of Markle.
The path of sorrow, and that path alone,
Leads to the land where sorrow is unknown. ~ William Cowper
I see a great deal of discussion online about people’s techniques for shooting film and the way in which they experiment. A lot of stuff is along the lines of “Yeah I know FP4 is rated at 125, but I’m shooting it at 71.5 iso and then dropping it in bucket of developer for a week that I made myself out of organic unicorn fur and lard.” It does sometimes seem that the experimentation is more important than actually creating pleasing pictures. And that’s absolutely fine of course, because we should all just be doing what we enjoy.
Most of my own experimentation these days is with darkroom printing, but that’s only because I still don’t know what I’m doing. But when it comes to developing film, I’ve spent many years whittling down the films and developers I use in order to produce consistent and predictable results. For example, with medium format it’s always FP4 and Tri-X stand developed in Rodinal. It consistently gives me results I‘m happy with. But with the recent renaissance in traditional photography that I don’t think many people saw coming, and with new emulsions coming to the market and old ones reborn, maybe now’s the time for me to be a bit more adventurous again.
I was rummaging through the film box in my fridge and found two rolls of Delta 100 that had just slipped past it expiry date. Developed with some D76 that really needed to be used up, and I’m happy with the results. Oh yeah, I’m really starting to mix things up a bit now. Crazy, eh?
When I previously visited Brookwood Cemetery, I bumped in to an old guy who, like me, was wandering around the graves. We chatted for a while, and he told me that many years before he’d come across the gravestone of novelist Dennis Wheatley, but had never been able to find it since. I was skeptical. Before leaving home I’d scanned the cemetery website and seen no mention of him on the list of famous residents. I assumed the chap was mistaken, and besides, you do meet some strange people hanging about in graveyards. Which is probably exactly what he went home and told his wife 1 .
As with so many things, I was of course wrong. Back home, a small amount of searching revealed that whilst he was cremated in Putney, his ashes are indeed buried in Brookwood. But what struck me was how little interest there appears to be in this. Wheatley was one of the world’s best-selling writers from the 1930s through to the 1960s, and his Gregory Sallust espionage and adventure books are reputed to have been the inspiration for Ian Flemming’s James Bond. Several of his occult novels were made in to movies, including Hammer’s incredibly successful 1968 production of The Devil Rides Out.
The truth is that even when I was enjoying his books as a kid in the late 1970s, they were already rather dated. Wheatley’s characters inhabit a world of cravats and worcester suits, pink gins and martinis, and leather armchairs in wood-paneled gentlemen’s clubs. His villains are villainous simply by nature of being working class or (heaven forbid) being one of those Johnny Foreigner types. None of this mattered to me as a child of course. I doubt I even noticed. And even today I’m still able to enjoy his books with the knowledge that he was a product of his time. Context is everything. I was quite pleased to see recently that after years of being out of print, many of his books have now been reissued.
Of course, all of this was a good reason to go back and make another visit. Because hanging round graveyards is something I really need to find an excuse for.
1. [Following recent legislation, other gender combinations of spouses are now available. This is A Good Thing.]?
Mamiya 645 Pro TL / Kodak Tri-X & Ilford FP4 / Developed in Rodinal 1+99 60 minutes
Memorial of Dennis Wheatley with my 1965 copy of To The Devil A Daughter (1953)
And again. This time remembering to switch off the double exposure lever on the Mamiya.
Deliberate double exposure this time. The Mamiya has a little lever that when pushed up, disengages the wind on mechanism. When you crank the film advance it cocks the shutter but doesn’t move on the film, allowing as many multiple exposures as you like.