I could give half a dozen geeky reasons why I tend to stand develop my medium format films in Rodinal, but they’d all be lies. Ultimately it’s just because I’m lazy.
- Drop the film in the tank
- Crash on the couch and watch an episode of totalitarian fly-on-the-wall documentary The Handmaid’s Tale, just so I know what to expect
- Stop, fix, wash, dry
However, the last roll of FP4 I developed this way seemed to have a lot more grain than is typical, and just as I was pondering whether I’d done something differently, I came across the remains of a bottle of Kodak HC-110 under the sink. Like Rodinal, HC-110 tends to live forever in its undiluted form and would probably even survive a nuclear holocaust. Which may well prove to be useful, given current events. I’d previously given it a go with a few 35mm films and not been too keen on the results, but I thought it was worth trying on the roll of 120 FP4 I shot last weekend on my trip back to the area I grew up in.
Ely is a small market town about 80 miles north east of London. Not only is it famous for the fact that I went to school there, but it also boasts one of the most magnificent cathedrals in England, dating back to the 11th century. My school always had strong links with the Cathedral, and as such I was required to attend services three times a week. I’m sorry to say it didn’t make me a better person. Under His Eye.
Film: Ilford FP4
Process: Developed in HC-110 Dilution B