Kensal Green Cemetery


Camera: Pentax KM
Film: Kodak Tmax 100
Process: Kodak D76 1+1

Yes it’s another cemetery, and not only that, another one of London’s Magnificent Seven.

I’ve visited and written about Kensal Green Cemetery previously, about how its atmospheric, gothic nature made it an ideal filming location for a key scene in Vincent Price’s 1973 schlock-horror movie Theatre Of Blood. It’s the stirring of those childhood memories of Friday and Saturday nights, wrapped up in bed in the dark and watching camp horror films on a black and white portable, that makes Kensal Green my favourite of London’s grand old cemeteries.

Kensal Green is the oldest of London’s Magnificent Seven cemeteries, established in 1832. Up until then, most of London’s dead had been buried in small parish churchyards, but overcrowding lead to contamination of the water supply and subsequent health epidemics. Of course, when I say ‘contamination’ I’m euphemistically referring to bits of dead bodies. Hmmmnn…there’s something in the water….

As mentioned in the last post, I don’t shoot a lot of medium speed 35mm film. And whereas I’d normally shoot something like this on medium format, my experience with Ferrania P30 prompted me to rummage round in the fridge and see what was there; a couple of rolls of Kodak Tmax 100, as it turned out.

To my shame I realised it’s been quite a while since I used my Pentax KM. I’d almost forgotten what a joy this all-mechanical, all-manual 1970s SLR is. When I do eventually get round to rationalising the number of cameras I have, this will definitely be one of the five or six I keep for regular use.

I’m not normally keen on using more than one lens; I like to keep things simple and a choice of lens is just another distracting decision that needs to be made. But as well as the wonderful 50mm SMC Pentax-M F/1.7, I took along the 28mm Pentax-M F/3.5 I picked for a few quid a couple of years back to see how that’d perform. Not great, as it happens. Even stopped down it doesn’t seem particularly sharp, and it also overexposed by up to a stop. It’ll have to go.


Film Ferrania P30 Alpha

After having the film for more than a year, I’ve eventually got round to shooting some of the alpha version of Film Ferrania’s P30 80 iso reincarnated motion picture film. Developing info is a bit thin on the ground but I finally decided to go with D76 (stock) at 9 mins, 3 gentle agitations per minute. That seems to have worked out well. I don’t shoot a great deal of medium speed 35mm film, but I’m really pleased with this. Contrast is…..erm…..contrasty, grain is virtually non-existent. Ferrania says the next batches will be up in the shop in the Autumn, after which it should become permanently available. I hope the day will come when it’s available in medium format.


Camera: Nikon FE / Nikon F90X
Film: Film Ferrania P30 Alpha
Process: Kodak D76 Stock 9 Mins
Brompton and Brookwood Cemeteries


Recently….

Bits & pieces from the last month or so….

I’ve been telling myself for quite a while that I don’t need any more cameras. And surprisingly, for most of that time I’ve been listening to myself. But I have been thinking about the Voigtländer Vito series of cameras for some time, and when I came across this one in pristine condition for £25 I was tempted. Throw in a Voigtländer shoe-mounted rangefinder and an after-market instruction guide, plus the fact the seller claim to have film-tested it, and I was sold.

The Vito BL is a 35mm viewfinder camera with a 50mm f/3.5 lens. The serial number engraved on the lens barrel dates in to about 1958 (source). This is a solid piece of German engineering, and would have cost just over £30 when new bought new. That’s around about two weeks average wages back then, so a fair chunk of money. I was particuarly surpised but delighted to find that the uncoupled selenium meter is still working, although I haven’t tested it for accuracy yet. I probably won’t use it as top plate mounted meters can be a bit of a fiddle. But let’s see how it goes.

Camera: Nikon F90X
Film: Kodak Tmax 400
Process: Developed in D76 1+1



The Empire Music Hall Theatre, Kingston Upon Thames. Opened in 1910, it’s now a Wetherspoons pub. I guess that’s what they call progress…. 🙁

Kingston
Camera: Fujifilm X100T


Obama Burgers!!

Olympus 35 RC, 1970s pint-sized pocket rangefinder. I got mine from Trip Man, £100 including new seals and skin, and guranteed for 6 months. You can get them cheaper if you’re prepared to play Ebay roulette.

The RC takes the now defunct PX625 1.35V mercury batteries. There are several possibilities here. One is to use the Weincell Zinc Air replacement, which has the advantage of matching the original 1.35 voltage. The downside is they are a bit expensive and have a fairly short life. There are other PX625 replacements available, but they tend to have a voltage of around 1.55V and so require you to compensate by adjusting the ISO. In the end I decided to splash out and spend £30 on the MR-9 adaptor from The Small Battery Company. This allows you to use the cheap and readily available silver oxide cell (SR-43 or silver 386) and adjusts the output to the correct 1.35v. It’s important to remember to always use a silver oxide battery as alkaline batteries tend to give inconsistent results.

Geraldine and me at the Pitcher & Piano, Richmond

Piccadilly, London
Camera: Fujifilm X100T

A quick Autumn day trip to Oxford with Lynn
Camera: Fujifilm X100T

DSCF9403

This film’s been kicking around in the FE for a few months. I really need to use this camera more; it’s fantastic.

Camera: Nikon FE
Film: Kodak Tmax 400
Process: Developed in D76 1+1

Always good when I manage to sneak myself in the picture

Head in the clouds

You can never have too much camera porn

A new Anouar Braham album is always something to look forward to….

And finally…always end on a positive


The People’s March for Europe

These photos were taken on a pro-European march a few weeks back. I should probably write a bit more about it, but since legislation was introduced in the late 1990s to make civil discussion about politics on the internet illegal, I’ve found it’s best just to keep quiet.

London, Sep 09 2017
Camera: Nikon F90x
Film: Kodak Tmax 400
Process:Developed in D76 1+1

3


Southwest Celebration Party

Those of us who work in the London office and who spent May in the US supporting the Southwest project were rewarded with a party. We gathered on the side of the river and were whisked away on a cruise along the Thames. Sadly I very quickly lost the light and was only able to fire off half a roll before having to go digital with the X100T. Which is probably a good thing, as thanks to the free bar things got seriously out of focus soon after.

Camera: Nikon F90X
Film: Kodak Tmax 400
Process: Developed in D76 1+1

Camera: Fujifilm X100T